Jamming with the Midnight Rounds: A Q&A

Photo by Victoria Bruzoni of Midnight Rounds band, from left to right: James Wall, Matias Bruzoni, Raji Koppolu, Yasser El-Sayed, Garret Vygantas, Jon Palma and Jeff Linnel

The next time you listen to music at a nearby pub or Bay Area event, double check to see who is playing. You just might see one of your Stanford physicians.

At a division holiday party in 2009, pediatric surgeon Matias Bruzoni, MD, on vocals, piano and guitar and nurse practitioner Raji Koppolu on vocals played acoustic versions of popular songs. Soon after, two more pediatric surgeons joined and the band Midnight Rounds was born. Over the years, the band has expanded to include piano, guitar, bass, percussion, drums, violin and vocals. I spoke with Bruzoni to learn more.

What is the origin of the name, Midnight Rounds?

“Our bass and guitar player James Wall, MD, and his family generously turn their guest house into a music studio whenever we need to practice. We all have very tight schedules due to our professional work, so once a week we practice late at night — many times going past midnight. As providers, we also make rounds every day to see our patients, so our drummer Yasser El-Sayed, MD, suggested we call ourselves Midnight Rounds.”

What kind of music do you play?

“Our repertoire includes oldies, country, 80’s, 90’s and more modern pop songs. We particularly enjoy creating mashups of songs, flipping back and forth between songs and adding our own twist. For instance, we like playing “Free” sung by the Zac Brown Band mashed up with “Into the Mystic” by Van Morrison and “Lodi” by Creedence Clearwater Revival mashed up with “Sloop John B” by the Beach Boys. Another favorite song is “Dixieland Delight” by Alabama, which features Jonathan Palma, MD, playing violin.”

Where do you play?

“We play in many different venues including weddings, wineries, local pubs, holiday parties, pumpkin festivals and wherever we’re invited. It varies, but we average a couple of events per month. We play quarterly at the Pioneer Saloon in Woodside — we’ll be there on January 12.

We sometimes make a little money during our performances at places like Pioneer. We decided as a group to donate the proceeds to different charity organizations that benefit women and children’s health.”

Is there any relation between playing in the band and medicine?

“For us, the band is a perfect excuse to get together outside of regular working hours. We feel this strengthens our relationships with each other in the hospital. It’s also a healthy way to recharge our batteries, avoid burn-out and thus take better care of our patients.

In addition, we’ve gotten to know a lot of people that work at Stanford — nurses, OR staff, social workers, interpreters and other docs like anesthesiologists — who come to our gigs. Our strongest crew are the NICU nurses and social workers, who follow us wherever we go. I think our patients definitely benefit, because teamwork is essential to patient care.

I also think performing under pressure is a great exercise since it is very similar to what we do every day here at the hospital. You get nervous even if you’re doing an acoustic session in front of 10 people, since you want to sound good. When I interview residents for positions here at Stanford, I pay a lot of attention to whether they excel in athletics or music, which gives me an idea on how well they can perform under pressure.”

Describe a favorite moment with the band.

“There are times when we have our kids sing or play an instrument with us. And that’s a very special moment. For instance, the other day we played at a pumpkin patch. People were playing games and stuff, not paying much attention to the band. But everyone went dead silent when my daughter came up to sing a Justin Bieber song. And then they started taping it. It was really magical.”

What’s next?

“We’re thinking about writing some original songs as an experiment. But mostly we just want to build up our repertoire. We started with maybe five songs and now we have about 50 songs that we can we can play — some of them without even practicing. We usually practice tow to three new songs for every new gig. Our band members have very different musical tastes, which makes it fun to blend all them together.”

This is a reposting of my Scope blog story, courtesy of Stanford School of Medicine.

Earworms: Those Intrusive Songs Stuck in Your Head

manic looking man listening to music on headphones
Photograph courtesy of John Hayes Photography via a Creative Commons license.

If you could hear inside my sister’s head, it would often sound like “Deck the halls with boughs of holly, Fa la la la la, la la la la.” For years, she has had this “earworm” – a song that plays in her head without control. Her mind acts like a broken record player that repeatedly plays the same song again and again, especially during quiet times when she is alone.

Having a song stuck in your head is a common experience. Research has shown that 92% of people experience earworms at least once a week. So it isn’t surprising that many myths exist about them. One common belief is that annoying music is more likely to become stuck.  Another is that certain music characteristics, such as simplicity and repetitiveness, cause songs to become intrusive. It is also thought that having earworms is more likely for certain types of people, including musicians and women. Finally, some people believe that interrupting a song creates a sense of incompleteness that leads the song to remain in the consciousness, making it more likely to become an earworm.

Researchers from the psychology department at Western Washington University have investigated these common beliefs about earworms, as reported in a journal article recently published in Applied Cognitive Psychology. They conducted five studies on earworms: an online survey of 299 participants, an experimental diary study of 16 participants, and three lab experiments with 89, 123 or 139 participants.

In the online survey, participants answered questions about their most recent earworm, general music experience and basic demographics. The other research studies used methods to induce earworms. During the lab experiments, participants evaluated three songs, completed a puzzle (maze, Sudoku or anagram), and then reported the extent to which they heard the three songs playing in their heads while completing the puzzle. They completed either an easy or difficult puzzle.

Although annoying songs like advertising jingles can become stuck in someone’s head, this appears to be relatively rare. Researchers found that people generally know and like the songs that become intrusive.

They also found that the intrusive songs are virtually unique to each individual, which suggests that lists of the most potent earworms are misleading. Earworms are mainly formed from recent and repeated exposure to a song, so they’re influenced by listening tastes. This is supported by a previous study that identified music exposure as the primary trigger for earworms, followed by memory triggers.

Researchers found no gender difference in how earworms were experienced. However, musicians did report having earworms more frequently than non-musicians, as did people who listen to music almost constantly.

The researchers also interrupted some of the songs that they played, expecting the interrupted songs to trigger earworms more frequently than the songs played to completion. However, no difference was observed due to song interruption.

Finally, they analyzed how participants responded to completing the different puzzle tasks. Researchers found that the best way to stop an earworm is to perform a verbal task: solve an anagram, have an engaging conversation or read an interesting book. But you don’t want the task to be too easy or too challenging, or your mind will wander and the earworm may return. I guess this means that I should give my sister some engrossing novels and a book of anagrams for her birthday?

For more information about earworms, check out my KQED Science blog.

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